The Complete Discography
Filter, search and sort his albums as leader & co-leader
Years reflect the principal recording dates; some titles are compilations or reissues.
Across nearly two decades, Johnny Hodges built one of the richest recorded legacies in jazz. Away from the Duke Ellington Orchestra, he led dozens of his own sessions — lush ballad collections, hard-swinging blues dates and soulful organ-combo albums — alongside celebrated co-led records with Ellington himself, organist Wild Bill Davis and pianist Earl Hines. This is a complete, sortable guide to those albums: filter by collaborator, search by title, and sort by year to trace his career from the early-1950s Norgran sides to his final sessions in 1970.
It’s part of our full Johnny Hodges guide, which covers his life and sound, the story of his wife and songwriter Edith “Cue” Hodges, and free transcriptions of his solos to download and play. Several of the albums listed here feature Cue’s own compositions.
More than 40 albums as a leader and co-leader between 1951 and 1970, recorded for Norgran, Verve, Impulse! and RCA — from string-backed ballads to gutbucket blues.
Browse by collaborator with the filters, search for any album by title or label, and sort the full list by year, title or label to find exactly what you’re after.
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Years reflect the principal recording dates; some titles are compilations or reissues.
1959 · Verve
Subtitled “Duke Ellington and Johnny Hodges Play the Blues”, this February 1959 date strips the Ellington sound to a small group: Hodges’ alto, Ellington at the piano, Harry “Sweets” Edison on muted trumpet, Les Spann on guitar, Jo Jones on drums and Sam Jones (or Al Hall) on bass. There are no written arrangements — just a relaxed run of blues standards (Wabash Blues, Basin Street Blues, Beale Street Blues and more), produced by Norman Granz. One of the warmest, most accessible records in the whole catalogue.
1961 · Verve
The album that launched Hodges’ long partnership with organist Wild Bill Davis. Set against Davis’s churchy Hammond organ and a small rhythm section, Hodges digs into a soulful blues-and-ballads groove — looser and earthier than his Ellington work, and the template for a string of organ-combo LPs that ran right through the 1960s.
1965 · Impulse!
A mid-60s session for Impulse! that catches Hodges in easy, swinging form with a small group of Ellington colleagues. Less a ballad showcase than a relaxed blowing date, it shows the buoyant, good-humoured side of his playing — close in spirit to the free “Papa Knows” transcription on this site.
1955 · Norgran
Cut for Norman Granz’s Norgran label during the years Hodges led his own band, Creamy is exactly what the title promises: a lush, ballad-rich set built around the velvet beauty of his tone. The album to reach for when you want the singing, romantic side of Hodges.
1958 · Verve
An all-star Verve session from April 1958 and a peak of his small-group work. Hodges is surrounded by an Ellingtonian-and-friends septet — Ben Webster (tenor), Roy Eldridge (trumpet), Vic Dickenson (trombone), Billy Strayhorn (piano), Jimmy Woode (bass) and Sam Woodyard (drums). The title track is a Hodges original, and the date balances blues swagger with the tenderness of his ballad playing.
1964 · Verve
Another soulful organ-combo outing with Wild Bill Davis, and a quiet landmark in this story: it features “Blues O’ Mighty”, written by his wife Edith “Cue” Hodges — the most direct way to hear and play her music.
Frequently Asked Questions
As a leader and co-leader, Johnny Hodges recorded more than 40 albums between 1951 and 1970, on labels including Norgran, Verve, Impulse! and RCA — in addition to his decades of work as the featured soloist of the Duke Ellington Orchestra.
Great entry points include Back to Back (1959) and Side by Side (1959) with Duke Ellington, the blues date Blues A-Plenty (1958), the ballad collection Creamy (1955), Everybody Knows Johnny Hodges (1965), and Blue Hodge (1961), the first of his organ-combo albums with Wild Bill Davis.
Yes. Between 1961 and 1966 Hodges made a series of small-group albums with organist Wild Bill Davis, including Blue Hodge, Blue Rabbit, Wings & Things and Con-Soul & Sax.
Yes — the two co-led Back to Back: Duke Ellington and Johnny Hodges Play the Blues and Side by Side, both from 1959. You can read more on the Duke Ellington page.
Edith “Cue” Hodges composed several tunes Johnny recorded. “What's I'm Gotchere” appears on In a Tender Mood, and her blues “Blues O' Mighty” appears on Blue Rabbit. Read more about Cue Hodges.
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